Sadigh Gallery Update November 23 2012

Greetings from Sadigh Gallery! 

Well, December, the final month of the year, is approaching, and New York City is becoming a more festive city than ever before.  The retail stores are dressed up in their fascinating holiday decorations, and Christmas songs can be heard from anywhere in the city!   Before the cold and long winter is here, this would be the best timing to experience the cheerful and lively New York City atmosphere.  If you are visiting New York City during this holiday season--Here are some ongoing shows and events that may interest the ancient artifacts aficionados.

Metropolitan Museum

Chinese Gardens

Pavilions, Studios, Retreats

August 18, 2012–January 6, 2013

http://www.metmuseum.org/exhibitions/listings/2012/chinese-gardens

Buddhism along the Silk Road

5th–8th Century

June 2, 2012–February 10, 2013

http://www.metmuseum.org/exhibitions/listings/2012/buddhism

Objects from the Kharga Oasis

August 14, 2012–August 4, 2013

http://www.metmuseum.org/exhibitions/listings/2012/kharga-oasis

Of course, after going to those places, we would like you to come visit us, too!  Unlike in Museums and high-end galleries in uptown Manhattan area, you may come in to our showroom to touch and feel the ancient relics on display.   We are currently holding a special sale during holiday seasons as well.  If you are looking for unique gifts for this holiday that are not like any other, feel free to consult with us and we will be happy to present great ancient artifacts that would make great gifts. If you live far from New York but are still interested in knowing what we have, visit our website http://www.sadighgallery.com or request for our free color catalog!

Here are some of the new collections of ancient artifacts that are currently available at the gallery:

Ancient Egyptian. Carved  amethyst horse, in a reclining pose. Translucent colors include light purple and green. A symbol of prestige, wealth and status. Ptolemaic. 305-30 BC

(3" x 3")

Ancient Egyptian. Carved pale carnelian scarab with traces of red. 26th Dynasty. 633-532 BC (¾" )

Ancient Egypt. Light green glazed faience amulet shows a triad of three Gods, Harpokrates, Isis, and Neith, traces of light blue. In Egyptian mythology, a "triad" is a group of three Gods that make up a family unit. Loop on the backside. Ptolemaic. 305-30 BC (1 ¾" x 1 ¼" )

Ancient Greek. Bronze reclining sphinx with an elaborate braided coiffure, the braided necklace draping across her naked breasts, a small rectangular platform resting on her back. Finely detailed with serene face. Green patina with a light earthen patina. 400 BC(3 ½" x 2 ½")

Thank you, and stay tuned for more updates from Sadigh Gallery!

Sadigh Gallery’s New Ancient Chinese Jade Collection

Sadigh Gallery has recently acquired an estate collection of ancient jade Lohan statues from 1300’s AD.

So what exactly are these Lohans that we are talking of?   Lohans (also known as Arhats) are the 18 followers of Buddhism’s “Eightfold Path”, who have reached the state of complete freedom from worldly desires  and were no longer subject to reincarnation. Their saintly characteristics are sometimes regarded as similar to guardian angels of western world, and are thought to protect people from all kinds of evil.    Each Lohan embodies philosophy of life, and the statues/drawings of them are often placed in Buddhist temples for people to open themselves to spiritual exploration.

The translated names of the eighteen Lohans are: 

Deer Sitting Lohan: Signifies spiritual awakening

Happy Lohan:  Bringer of eternal happiness, dispels any obstacles that prevents one from happiness

Raised Bowl Lohan: The begging bowl signifies humility, and teaches that if one could only be rich spiritually, he/she may reach eternal happiness. 

Raised Pagoda Lohan: Bringer of auspiciousness

Meditating Lohan: Enhances the serenity of the home.

Oversea Lohan: Lohan who spread the teachings of Buddha overseas, the father of Japanese zen Buddhism, and the master of martial arts

Elephant Riding Lohan: Bringer of fortune, the elephant is a symbol of victory over evil forces

Laughing Lion Lohan: Embodies compassion and wisdom. The lion is the powerful protector against worldly disturbances. 

Open Heart Lohan: Represents purity of the mind

Raised Hand Lohan: Bring harmony among the siblings.

Thinking Lohan: Brings blessing through meditation

Scratched Ear Lohan: Symbolizes purification of the sense of hearing in search for peace and quiet. 

Calico Bag Lohan: Protects one from evil of the world

Plantain Lohan: Bringer of the guru

Long Eyebrow Lohan: Embodies virtues and wisdom.

Doorman Lohan: Teaches one that one must practice diligently in order to eradicate the greed, anger and ignorance in one's mind

Taming Dragon Lohan: Symbolizes bravery and wisdom

Taming Tiger Lohan: Teaches one to overcome the “tiger”-- desire, greed, anger and hatred-- in one’s mind.

It is a rare occasion for us to obtain a full collection of  18 Lohan statues that are still in a beautiful condition.  View our collection at our website here:

http://www.sadighgallery.com/search.asp?keyword=lohan

Ancient Chinese Jade Artworks

The Chinese have had a love affair with Jade - and other beautiful stones - for thousands of years. The appeal of Jade to the ancient Chinese was due to its toughness, luster, multiplicity of colors and the transformation it underwent when heated. The burning of Jades in pre-burial cremation ceremonies was essential for members of the ruling class in many areas and periods of ancient China. Confucius compared the qualities of Jade to those of a cultured man. The appreciation of archaic Chinese Jades involves more than just the enjoyment of their solemn aloofness and brilliant luster. One must look beyond their physical properties - what can be seen and touched - to the metaphysical spirit that they embody. This spirit is born of the Chinese veneration of heaven and ancestors. It grows moreover from a culture that seeks to live in harmony with nature.

With the exception of a few simple objects like round and flat discs with central holes (called Bi or pi, symbolizing Heaven, and deriving from early sun-worship) and drilled beads for stringing, the earliest Jades are prohibitively rare.

Starting about 2,000 BC the population in China was expanding, and with it the demand for and ability to find and transport the raw stone (usually from far away places) to craft centers where fine Jade objects were created for the arising nobility. Being a large and diverse land, the Chinese found many raw materials suitable for object creation, all of which were called Yu.

“Stone of heaven” is a term used by the Chinese to describe what they view as the most precious of gems - Jade. To understand the importance of Jade to the Chinese is to gain insight into their culture and history. Jade is woven into the very fabric of Chinese ethos and it has been from the earliest Neolithic cultures that thrived in what became known as China.

It is only recent, owing to controlled archaeological digs of the last few decades and the use of modern scientific dating techniques, that it has become clear that Jade work in China extends back over a long period prior to the Shang era. In fact, Chinese archaic Jades of the Bronze Age and later are the product of a long development process, extending so far back through the Neolithic period (to about 5500 B.C.) that the period of Jade working before the Shang era now appears to be longer than what used to be considered the classic period of archaic Jades, i.e. the Shang to Western Han.

Please enjoy our collection of fine  jade artworks from ancient Chinese era:

http://www.sadighgallery.com/search.asp?keyword=jade&catid=9